Categories
1960s Classics Crime Non Fiction

In Cold Blood by Truman Capote

In Cold Blood : A True Account of a Multiple Murder and Its Consequences (Penguin Modern Classics)

Five words from the blurb: American, family, murdered, crime, killers

In Cold Blood is a modern classic. I’d heard so many positive comments about this true crime book that I was convinced I’d fall in love with it. Unfortunately, although I can see why it played an important role in the development of the genre, I’m afraid it didn’t bowl me over.

In 1959 an American family were brutally murdered in their home. In Cold Blood describes what happened by explaining the movements of both the victims and their killers.

I’d been warned about the powerful nature of this book and so ensured that I only read it during daylight hours, but I was surprised by how little emotional impact this book had on me. The actual murder was described only briefly and never through the eyes of the victims. I was relieved that I didn’t have to witness their fear, but a part of me wished that there were more details of the murder from the perpetrator’s point of view.  It might have helped me to understand how it is possible to murder an entire family and whether they had doubts and fears about being caught. Although the motivation for the murder was eventually revealed I wished that we’d learnt more about what caused them to begin their criminal career.

The book was very well written and engaging throughout, but the fact the reader knows everything from the beginning means that there is no mystery or intrigue to move the narrative forward.

The journalistic nature of the writing style meant the reader remained detached from events. I longed to get inside the heads of the people, instead of just witnessing their actions.

Next they were interested in rope. Perry studied the stock, tested it. Having once served in the Merchant Marine, he understood rope and was clever with knots. He chose a white nylon cord, as strong as wire and not much thicker. They discussed how many yards of it they required. The question irritated Dick, for it was part of a greater quandary, and he could not, despite the alleged perfection of his over-all design, be certain of the answer.

I think my main problem is that I’ve read so many similar books. If I’d read this when it was originally published then I’m sure I’d have been impressed by creation of this new genre, but the fact that this book’s successful formula has spawned hundreds of replicas means that it doesn’t have the same impact now. This simple investigation of an individual crime, whilst shocking in its nature, failed to teach me anything new. I wanted some insight into the criminal mind or some thought-provoking questions to be raised. The sad fact is that this crime is quite ordinary nowadays. I’m not shocked by it and the tame nature of the descriptions means that I am likely to forget about it quite quickly.

It seems unfair to penalise the original book because people have copied its style so successfully, but it also seems wrong to rave about a book that is no longer the best of its genre. As a compromise I’ll give it four stars. It is a classic.

I know a lot of people love this book. Can you explain why it is so special?

Categories
2012 Crime Mystery

Every Contact Leaves a Trace by Elanor Dymott

Every Contact Leaves A Trace

Five words from the blurb: wife, murdered, Oxford, mystery, past

Every Contact Leave a Trace is an atmospheric murder mystery set within the grounds of an English University. The book begins with Alex discovering the body of his wife, Rachel, by a lake in Worcester College, Oxford. Access to the college is restricted so only a limited number of people were capable of committing the crime, but police investigations draw a blank. Stricken with grief, Alex sets out to discover the truth behind her death, leading him to realise that he knew far less about his wife’s life than he thought.

The enclosed setting reminded me of The Moonstone; the pace and writing style also shared similarities with this classic piece of crime fiction. Anyone looking for a fast paced thriller will be disappointed as this is a carefully constructed book that demands concentration.

The majority of the plot is revealed through Alex’s interviews with the other characters. The reader must decide whether discrepancies between the stories are due to lies, attempts to protect others from hurt, or simply different perspectives of the same event. The solution to the crime isn’t really the point of this book, the main emphasis is on relationships formed at university and how people can display different aspects of their personality depending on which situations they are faced with.

The pace is very slow and I want to criticise this, but I grew to love its teasing nature.  The continual stalling lead to a gripping narrative, perfectly crafted to keep the reader hooked and guessing  until the final pages.

He asked me if I’d like something to eat with my tea before he began again, seeing as it was lunchtime, and when I said yes, he went off into his side room to prepare it. I sat back in my chair and listened to him moving about, clattering a knife on a plate and opening and closing the door of his fridge. I allowed my mind to become a blank canvas once more, ready for him to take his brushes to it.

The central characters all studied English so there are plenty of literature references to satisfy those looking for deeper symbolism, especially those with a knowledge of Robert Browning.

My only real criticism is that the book gives no real descriptions of Oxford. Trees are beautifully depicted, but the spires of Oxford are almost entirely ignored – the college setting being a convienient plot device rather than a vivid backdrop to the story.

On a more positive note, this book has a striking design and the deep red page edges are hard to ignore.

This is a compelling mystery and I highly recommend it to anyone looking for an intelligent page turner.

.

 

Categories
2000 - 2007 Books in Translation Crime

The Sinner – Petra Hammesfahr

The Sinner Translated from the German by John Brownjohn

Five words from the blurb: killed, man, past, childhood, horrors

The Sinner was a bestseller in Germany, staying at the top of the book charts for fifteen months. I can see why it was so popular – it is well written, intelligent, and packed with unexpected twists. It is a shame that it is not well known outside it’s country of origin as I think it is a fantastic piece of crime fiction.

The Sinner begins with Cora, a young mother, stabbing a man in front of her family and friends during a quiet picnic by the lake. She immediately confesses to the crime, but no one can understand why a seemingly normal woman would turn into a cold blooded killer. Through police interviews and a series of flashbacks we discover details of Cora’s troubled childhood and the reason for her violent outburst.

The book is narrated by both Cora and Police Commissioner Rudolf Grovian, allowing us to see inside the head of both parties.

Cora Bender had attacked a defenceless man like a maddened beast. She’d gone berserk with her little knife and was showing no hint of remorse or sympathy for her victim. Yet to see her sitting there with her lips trembling, enumerating her husband’s good qualities, anyone would have thought she was the victim.

It is perfectly structured with little hints (and red herrings!) dropped at frequent intervals, ensuring the momentum is maintained throughout.

As well as being a clever why-dunnit piece of crime fiction The Sinner is also a gripping psychological insight into the mind of a troubled woman. Cora’s difficult childhood is described with great empathy, giving the reader that rare ability to have sympathy with a murderer.

The concentration on the troubled female mind means that this book will appeal to women more than men, but I loved reading a piece of crime fiction where the central character is so well drawn.

Recommended.

.

I read this as part of German Literature Month. Head over to Lizzy’s Literary Life and Beauty is a Sleeping Cat to find out about a wide range of German literature.

Categories
Crime Other

Are all Henning Mankell books similar?

Faceless Killers (Kurt Wallander Mystery)

Scandinavian crime fiction seems to be everywhere at the moment. All the authors are compared to each other, despite the fact their books are very different in style. Henning Mankell has been on my radar for a long time and I was interested to see how his books would compare to the likes of Larsson and Nesbo. Unfortunately, I have the feeling that his books are the weakest of the three, but having only read a small section of his writing I wanted to check that I wasn’t missing out on his best work.

I started to read Faceless Killers (the first of the Wallander books) over the weekend, but I quickly became frustrated and abandoned it after 70 pages. Wallander appeared to be a stereotypical cardboard cutout detective and no attempts were made to bring him to life. There was no atmosphere and the plot seemed implausible.

I also struggled with the poor quality of the writing. The simplicity was almost child-like in places.

Overall, I wasn’t very impressed with the section I read.

Does Faceless Killers have a good ending?

Does the Wallander series improve as it progresses?

Are any of Mankell’s other books worth reading?

Or, should I forget the books and stick to the Wallander DVDs?

Categories
2000 - 2007 Crime Mystery Thriller

In The Woods – Tana French

Five words from the blurb: detective, body, woods, family, secrets

Tana French is an author who has been raved about so much that I have forgotten where I first heard about her. I am often disappointed by thrillers and so was nervous about approaching this book, but I shouldn’t have worried – In the Woods is just as good as everyone says it is.

The book is set in Ireland and follows Detective Rob Ryan and his partner, Cassie, as they investigate the murder of a little girl. The case brings back difficult memories for Rob, as two of his childhood friends disappeared in the same wood twenty years earlier. The pair try to establish if the cases are linked, whilst trying to hide Rob’s connection to the previous investigation.

There was a time when I believed, with the police and the media and my stunned parents, that I was the redeemed one, the boy borne safely home on the ebb of whatever freak tide carried Peter and Jamie away. Not any more. In ways too dark and crucial to be called metaphorical, I never left that wood.

The book was gripping all the way through and there were plenty of twists and turns to entertain me. The pacing was perfect – keeping me hooked on every word at the beginning and then speeding up towards the end.

The writing was simple, but effective and I was especially impressed with the character development – all were well formed and I connected with them on an emotional level quite quickly.

There were a few moments when I had to suspend my disbelief as police procedure was abandoned for the benefit of a more thrilling plot. HIGHLIGHT TO READ SPOILER (for example the fact no-one searched the archaeological site or the tool sheds at an early stage in the investigation), but I was willing to overlook these minor problems as they did make the story more entertaining.

I loved the ending. It tied up many of the questions raised by the book, but left some things unanswered so that the sequel is now calling to me very loudly.

There isn’t anything profound or informative in this book, but as a piece of pure entertainment it is almost flawless. Recommended.

.

The thoughts of other bloggers:

The wonderful thing about this novel is that while it’s ostensibly a mystery, it’s really a character-driven story dressed up in a mystery’s clothing. Fyrefly’s Book Blog

Tana French is a goddess. Not just any goddess, but the Goddess of Mystery. You’ve Gotta Read This!

French’s writing is extremely evocative and effective at ratcheting up the suspense. Steph & Tony Investigate!

Categories
2011 Crime Thriller

The Facility – Simon Lelic

Rupture was one of my favourite books of 2010  and I am sad that it didn’t receive the attention it deserved. I was pleased to discover that Simon Lelic’s second book was going to be released so soon after his first and I jumped at the chance to read it.

The Facility is set in the near future and centres on a secret prison which the British Government are using to hold people under their new “Unified Security Act”. Initially created to hold terrorism suspects without charge, the authorities are now using it for questionable purposes. The book follows one man who doesn’t understand why he has been imprisoned and those on the outside who are desperate to discover why he has disappeared.

The book is a fast paced thriller which is gripping throughout. It isn’t for the prudish as there is strong sexual content from the start and I must also warn you that it gets quite dark and violent in places.

Unfortunately I didn’t find it as thought provoking as it could have been – it read like a conventional thriller instead of being a deeper investigation into this complex issue.

It also lost the wonderful one-sided-conversation writing style of Rupture. The writing quality was still high, but there was nothing to make it stand out from the crowd of other thrillers produced each year.

The Facility is a wonderful thriller, but I had hoped it would be so much more than that. I urge you to read Rupture so that you can understand why I had such high hopes for this book. The Facility is worth reading if you are after an absorbing, fast paced read, but I’m hoping that his next book returns to the magic of his first.