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Other Other Prizes

The Desmond Elliott Prize

I have just discovered the Desmond Elliott Prize. It was launched in 2007 as a biennial award for a first novel published in the UK.

The 2009 long list has just been announced, and I am very tempted to read them all. The only one I have read so far is The Behaviour of Moths (The Sister in America) which I really enjoyed. I also have Mr Toppit in the TBR pile and have heard great things about  Blackmoor.

These are the long listed books:
All plot summaries taken from the Desmond Elliott Prize Website

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A Girl Made of Dust by Nathalie Abi-Ezzi (Fourth Estate)

Ten-year-old Ruba lives in a village outside Beirut. From her home she can see buildings shimmering on the horizon and the sea stretched out beside them. She can also hear the rumble of shelling – this is Lebanon in the 1980s and civil war is tearing the country apart.

Ruba, however, has her own worries. Her father hardly ever speaks and spends most of the day sitting in an armchair, avoiding work and family. Her older brother Naji is beginning to spend time with older boys – and some of them have guns. When Ruba uncovers her father’s secret, she starts a journey that takes her from childhood to the beginning of adulthood. As Israeli troops invade and danger comes ever closer, she realises that she may not be able to keep her family safe.     

The Behaviour of Moths by Poppy Adams (Virago)

From her lookout on the first floor, Ginny watches and waits for her younger sister to return to the crumbling mansion that was once their idyllic childhood home. Vivien has not set foot in the house since she left forty-seven years ago; Ginny, the reclusive moth expert, has rarely ventured outside it. Selling off the family furniture over the years and gradually shutting off each wing of the house, she has retreated into the precise routines that define her days.

With Vivien’s arrival, long-forgotten memories are stirred up, and the secrets that have separated the sisters threaten to disrupt more than Ginny’s carefully ordered world.

Girl in a Blue Dress by Gaynor Arnold (Tindal Street Press)

Alfred Gibson’s funeral has taken place at Westminster Abbey and his wife of twenty years, Dorothea, has not been invited. She is comforted by her feisty daughter, Kitty, until an invitation for a private audience with Queen Victoria arrives and she begins to examine her own life more closely.

Dorothea uncovers the deviousness and hypnotic power of her celebrity-author husband. But now she will have to face her grown-up children and – worse – her redoubtable younger sister Sissy and the charming actress, Miss Ricketts.  

Mr Toppit by Charles Elton (Viking)

When The Hayseed Chronicles, an obscure series of children’s books, become world-famous, millions of readers are intrigued by the shadowy figure of Mr Toppit who dominates them. The author, Arthur Hayman, never reaps the benefits of his books’ success. The legacy passes to his widow Martha and their children – the fragile Rachel, and Luke, recently immortalised as Luke Hayseed, the central character of his father’s stories. But others want their share, particularly Laurie, the overweight stranger from California who comforted Arthur as he was dying, who has an agenda of her own that threatens to change all their lives. For, buried deep in the books, lie secrets which threaten to erupt as the family begins to crumble under the heavy burden of their inheritance.

Never Never by David Gaffney (Tindal Street Press)

Eric is a debt counsellor and his life is a lie. When he’s not busy getting the dispossessed of West Cumbria’s debts written off, he’s using his insider knowledge to bounce the cost of his excessive lifestyle between several accounts – some of which aren’t exactly high-street. His girlfriend Charlotte has no idea how imperiled their home is.

Until the caravan postcards begin to arrive, each with only one word written on the back: Coerce. Harassment. Distress. Eric has a frightening puzzle to solve while juggling his finances. And his life gets more complicated as he reconnects with his teenage punk sweetheart in Manchester: Julie, a strange, fragile body artist.

With the loan sharks on his tail, he has to find a way to save his home – and keep the menacing Overspill Mayor away from Julie.    

Blackmoor by Edward Hogan (Simon & Schuster)

“You said once that Blackmoor killed Mum.”

“I suppose you don’t think that a place can kill a person,” says George.

Vincent shrugs. “I just want to know how.”

“Slowly, that’s how.”

Bird-watching teenager Vincent Cartwright lives out a bullied, awkward existence not far from the site of Blackmoor, a mysterious, vanished Derbyshire village. His mother Beth, half-blind and unknowable, and her life and death in that same village has always been a dark family secret, but as Vincent comes of age he begins to search for the truth.

The Redemption of Alexander Seaton by Shona MacLean (Quercus)

Banff, Scotland, 1626. The body of the apothecary’s apprentice is found in Alexander Seaton’s schoolhouse, murdered by poisoning. Seaton is a schoolmaster by default, a disgraced would-be minister whose love affair with an aristocrat’s daughter left him dishonoured and deprived of his vocation. Persona non grata in the town, he has few friends, so, when one of them is accused of the murder, he sets out to solve the crime. He embarks on a journey that will uncover witchcraft, cruelty, prejudice and the darkness in men’s souls. It is also a personal quest that will lead Alexander to the rediscovery of his own faith in God as well as his belief in himself.

 

The Rescue Man by Anthony Quinn (Jonathan Cape)

Summer 1939. Historian Tom Baines is at work on a study of Liverpool’s architectural past. If war should come, will the buildings and streets that he documents survive? Then his faltering project gets a boost when a photographer, Richard Tanqueray, and his wife Bella befriend him and together they work against the clock of a rapidly contracting peacetime.

A further preoccupation takes hold when he begins to read the journals of a brilliant young Victorian architect, Peter Eames, who briefly flourished in Liverpool in the 1860s. Through him, Baines comes to a fuller understanding of the nature of genius, but also the mysterious workings of the human heart. Eames’s own legacy will have unexpected reverberations seventy years later when war comes and Baines joins a Heavy Rescue team, retrieving the wounded from bomb-damaged buildings. With the ordinary rules of life suspended and mortal danger ever-present, he finds his courage tested – and his conscience troubled as an adulterous lover.  


Little Gods by Anna Richards (Picador)

Jean Clocker is conceived by her mother Wisteria only as a means to entrap a damaged First World War veteran into marriage. Having achieved wedlock but failed in her plan to rid herself of the now-redundant snare, Wisteria visits maternal tyranny on her prodigious daughter. Jean spends her early years avoiding her mother’s blows and striving to make herself just a little less extraordinary. Orphaned, finally released from servitude, in the opening days of the Second World War, she thrives as a member of a demolition crew. It is Denny, a tiny, charismatic GI with a reverence for size, who facilitates a second liberation as he takes her across the ocean as a GI bride. But, once in California, he disappears and Jean is left once more to negotiate the world on her own.

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The Alternative Hero by Tim Thornton (Jonathan Cape)

By the time most people hit 30, they’ve managed to do one of the following things: grow up; meet one of their heroes; move on a bit from the music they were obsessed with at the age of 17. Clive Beresford has failed to do all three. He mopes around, broke, drinking too much, disgusted at the deletion of the bands he loves, quietly lamenting his never-was career as a music journalist. But all, or at least some, of that is about to change. One Saturday morning, Clive sees the biggest alternative rock star of them all walking down the high street: Lance Webster, disgraced ex-singer of Thieving Magpies. Determined to grab the scoop of a lifetime, Clive hatches a ramshackle plan to befriend his idol, although Webster proves to be in no mood for discussing the past. But the pair quickly realise they have things in common neither could have realised, forcing both to revisit a period they thought they’d left behind: the sweat, feedback, T-shirts, stage-dives, hitch-hikes, snakebites and hangovers of British alternative rock at the start of the Nineties.


I have just ordered a copy of Never Never as I lived in West Cumbria during the 90s. I have never read a book based there, so am really interested to see how it is portrayed. I don’t think I can justify reading the entire long list at the moment, but I will be keeping my eye on this prize in the future.

Have you read any of these books?

Have you ever heard of this prize before?

Categories
Orange Prize Other

Home wins the Orange Prize

 

I don’t like to brag, but I correctly predicted that Home would win the Orange Prize.

I’m gutted. For two reasons:

  • Wilderness didn’t win.
  • I didn’t put any money on it.

Never mind. Let’s see if I can correctly predict the Booker!

Categories
Orange Prize Other

Who is going to win the Orange Prize this year?

I have now read all six books short listed for the  Orange Prize 2009.  Overall, I wasn’t very impressed with the quality of books which made the short list. I think that the judges this year must be fans of literary fiction, particularly books which are reflective and full of wisdom. I prefer great characters and a complex plot, so I didn’t get much pleasure from reading the final six.

So who is going to win the Orange Prize this year?

Here are my thoughts on each book’s chances…..

 

The Invention of Everything Else by Samantha Hunt

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My review

I don’t think this has a real chance of winning. Some people enjoyed it, and it does have some interesting literary devices in it, but overall it doesn’t have the feel of a prize winning book.

Molly Fox’s Birthday by Deirdre Madden

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My review

There is an outside chance that this could win the Orange Prize. Fans of literary fiction really enjoy this book, and lovers of general fiction (like me) do not find anything wrong with it. It is a nice gentle read, and it does have a great ending. If the judges are a mixture of literary fiction and general fiction lovers then they could well compromise on their favourite book by agreeing to choose this as a winner. 

Scottsboro by Ellen Feldman

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My review

I don’t think this has a realistic chance of winning. There is nothing wrong with it, but it doesn’t have that magic spark. It is a reasonable read about an important historical case, but I think it did well to get nominated.

Home by Marilynne Robinson

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My review

I think that Home has a very real chance of winning the Orange Prize. Fans of literary fiction love this book, they rave about it being their favourite book of the year, and how amazing the poetic prose is. I didn’t enjoy it at all, but I’ve a feeling that the judges do and so it will probably win.

The Wilderness by Samantha Harvey

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My review

This my favourite by a long way. The writing was so moving and thought provoking. It was in a league above the rest for me and I really hope that it wins, but I’m not that sure it will.

 

Burnt Shadows by Kamila Shamsie

stars3h

 

My review

Burnt Shadows has an outside chance of winning. The plot is very ambitious, and I don’t think it quite worked, but everyone enjoyed it to some extent, and there were quite a few literary devices to please those judges. I wouldn’t be overly surprised if this managed to sneak through to win, as not many books try to achieve the things this one does.

 

The winner is announced on 3rd June, and I really hope that The Wilderness wins, but if I had to place a bet I’d put my money on Home.

Have you read any of the shortlist?

Who do you think will win?

I look forward to hearing your opinions!

Categories
Orange Prize

Molly Fox’s Birthday – Deirdre Madden

Short listed for the Orange Prize 2009

It looks as though this year’s Orange judges have a love for books which reflect on life, as this is the third one which does so (fourth if you count The Invention of Everything Else, which does, although to a lesser extent). Molly is an actor, who has loaned her house in Dublin to a friend while she is away. The story takes place on just one day, which happens to be Molly’s birthday. Staying in Molly’s house brings back memories of their friendship, and how their lives have evolved over the years.

The book was quite easy to read, but I found the story quite ordinary. The characters didn’t have that special spark, and so their lives failed to engage me.  Near the end of the book we find out about Andrew, a mutual friend. I found his life this much more interesting than Molly’s, and I wish the book had been concentrating on him throughout, as it was too little too late for me. It did pick up in the last fifty pages, and the ending was very well crafted, but this wasn’t really enough to make up for the average start.

There were a few good quotes, but in comparison to Wilderness this book felt very light.

….everyone gets pretty well what they want in life because they make a point of doing so, but the problem is that a great many people either don’t know what it is they want or they won’t admit it,

This is a nice gentle read, but there is nothing particularly remarkable about it, and it is instantly forgettable.

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I have now completed this year’s Orange short list, so I’m off to write a nice comparison post for you.

Have you read this book? Did you enjoy it?

Categories
2008 Orange Prize

Home – Marilynne Robinson

Winner of the Orange Prize 2009

I’m afraid that I have to admit I didn’t finish this book. I gave up after about 60 pages. The characters failed to engage me, and I was struggling to concentrate on the words. Maybe the problem was made worse by the fact I had just finished the amazing Wilderness, or maybe it was because I had the memory of how boring I found Gilead so fresh in my mind, but either way I didn’t see the point in wasting my precious reading time battling with a book that I know doesn’t suit my reading taste.

The writing style was different to Gilead, and it had the benefit of not containing the continual bible references, but I don’t think the prose was as good as the Pulitzer winner – it seemed a lot less profound. I think people who love Gilead will find this slightly less satisfying, but I haven’t read very much, so can’t really give a proper opinion.

I’m afraid this just wasn’t for me.

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Have you ever liked a book from an author you’ve previously decided was not for you?

This book is favourite to win the Orange  Prize – do you think it has a chance?

Categories
2009 Orange Prize Recommended books

The Wilderness – Samantha Harvey

Short listed for the Orange Prize 2009

The Wilderness is written through the eyes of someone with Alzheimer’s disease. I shouldn’t like this book, as on the surface the plot is identical to Gilead – old man looking back at his life in snippets, revealing the wisdom he has learnt, but this book is in a league above Gilead. It captured my heart from the very first sentence:

In amongst a sea of events and names that have been forgotten, there are a number of episodes that float with stiking buoyancy to the surface.

When reading a book I note down quotes which may be suitable for my review. After noting down five different quotes within the first few pages I realised this was an exceptional book, and the bar for quote-quality was raised significantly higher!

This book is heart-breakingly sad. The central character is Jake, an Alzheimer’s sufferer, who is struggling to remember the details of his life. He can remember certain things as vivdly as when he was there, but others things, especially those that have happened recently are very elusive. As the book progresses his condition deteriorates, and even the most important things in his life fail to come to him:

She sits at the kitchen table beating eggs. Embarrassing, but he cannot remember her name. So desperately embarrassing because he sleeps with her, he knows her, she is not a stranger.

The Wilderness really opened my eyes to the suffering of old people. They are subjected to embarrassing situations as their bodies begin to fail them, but their minds are just as alert  as they were when they were younger. I think one of the reasons that this affected me so much is that this situation is almost certainly going to happen to me, and everyone else I know. This isn’t about the suffering of war, which however shocking, is unlikely to directly affect me. Old age and it’s degrading loss of dignity is going to happen, and this realisation hit me with a shocking intensity.

I’m not sure I want to recommend this book to you, as it is so heart-breaking that it will proably make you cry. I was unsure if I could give my highest rating to a book which I struggle to recommend to people, but in the end the power of this book cannot be ignored. I couldn’t find any faults with it. It gripped me from beginning to end, and left me a changed person. My money for the Orange Prize 2009 is on this book.

Highly recommended.

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Who do you think will win the Orange Prize 2009?

Have you read this book? Did it change your opinion of the elderly?

Do you recommend depressing books to other people?